tag:blogger.com,1999:blog-77837361946137210612024-03-05T20:04:35.402+08:00Twixt's BLOG for Arch蔡長恩建築師事務所
C.N.Tsai. & PartnersTwixthttp://www.blogger.com/profile/00125486091288723324noreply@blogger.comBlogger122125tag:blogger.com,1999:blog-7783736194613721061.post-72649694882629033992021-04-19T17:40:00.003+08:002021-04-19T17:40:40.555+08:00[017] 寫在建築一周目/開業六年紀事<p>隨著開業證書走過六年的有效期限,也算是完成建築師開業的「一周目」了吧?</p><p>我想,就讓這個階段名為「理解」吧;在這兩千一百九十二個日子裡,我們試著經營著僅收取設計服務費用的事務所,跌跌撞撞的走了過來,逐步的理解建築這行的遊戲規則,亦終得看見業務與財務平衡的曙光,隨著案子運轉,明白事務所的成長的困境與天花板,隨著經營團隊,知道事務所的能力拓展與積累的不易。都沒有人告訴你嗎?不,其實在各種關於建築師開業的苦澀文章裡都道盡了,只是若非讀了一遍又又經歷了一遍,才能理解那些理解也無法解決的事,是如何消磨光陰與熱情。</p><p>總是感念這段時光,當年開業的日子從幫忙收尾兩個案子開始,借了一些錢,請了兩位同事,即使整個月都沒日沒夜的評估案件、繪圖,卻仍曾近一整年沒有業務,甚至積欠了一個月的薪資,然後有太座的加入與幫忙,一年後損益兩平,並帶著同事們出國旅遊,更遇見了貴人業主,把我們推薦給更多的人,接著事務所搬家、改組,準備迎接第二個事務所週期;在這起起落落的日子裡學習到的太多了,無論是建築的專業或是事務所的經營,再再都是無價的資產,每想至此,那些苦澀便帶著一點甘甜,也真心感謝著所有陪伴我們成長的人與事。</p><p>其實這些日子,原想對建築說的事情還挺多,但真拿起筆來,卻倒也寫不出什麼。無論如何,隨著二周目地來到,除了把這六年來的案件與事件做了點整理與回顧之外,我們也有許多新的計劃準備開展,我想我們仍然會是那個單純、熱情於設計的事務所,但不僅僅是建築空間,我們還想要更多的改善建築的職業環境及工作方法。</p><p>畢竟,現在建築的工作環境實在太對不起對建築懷有熱情的人。而我們花了六年的時間來「理解」,接下來,該是「轉變」了。</p><p><br /></p><div class="separator" style="clear: both; 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text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghO4wYMBxZPhWSxlszx3NNEs5z5RWPOwjswj_mhvvUPp2uTUHSqY7CLyoWUDh30-bh-OuGxKynaSE7yBAM3w3fZgQYiTiueLCdhD-1DLvPYwLh_6rkpTDM9qxBzP3Kb55CwHCPMGBf6yI/s2896/%25E6%25A1%2588%25E4%25BB%25B6%25E9%259B%2586%25E7%25B5%2590.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1086" data-original-width="2896" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghO4wYMBxZPhWSxlszx3NNEs5z5RWPOwjswj_mhvvUPp2uTUHSqY7CLyoWUDh30-bh-OuGxKynaSE7yBAM3w3fZgQYiTiueLCdhD-1DLvPYwLh_6rkpTDM9qxBzP3Kb55CwHCPMGBf6yI/s320/%25E6%25A1%2588%25E4%25BB%25B6%25E9%259B%2586%25E7%25B5%2590.jpg" width="320" /></a></div><br /><p><br /></p>Twixthttp://www.blogger.com/profile/00125486091288723324noreply@blogger.com0tag:blogger.com,1999:blog-7783736194613721061.post-58786920631472732792021-01-21T15:38:00.000+08:002021-01-21T15:38:01.593+08:00[016] 辛丑年 - 「如牧春豐」<p>時序來到了牛年。公司也迎來第五個紅包袋的設計。</p><p>想起了十牛圖;一直都很喜歡著富含禪學的系列圖,而回望事務所的五年,似如修行般的從尋牛、見跡、見牛、得牛走到了牧牛。「牧」多好的一個字呀?也期望來年所有朋友都能如牧春豐。</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbnn1Mg7lgktpru5cwagTT7cBpDupjjClsb8N0Vb7C9_mcOdPkglWCq-a1ybIkP6MB8xrctc3cHZIni0Uvn7OsNDPekPMr06cJQAWVQZem3MQKhFbmTGCdVKHmOoxfj5eveuwZlF1C98Y/s2048/P1210594.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1536" data-original-width="2048" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbnn1Mg7lgktpru5cwagTT7cBpDupjjClsb8N0Vb7C9_mcOdPkglWCq-a1ybIkP6MB8xrctc3cHZIni0Uvn7OsNDPekPMr06cJQAWVQZem3MQKhFbmTGCdVKHmOoxfj5eveuwZlF1C98Y/s320/P1210594.JPG" width="320" /></a></div><br /><div>作品類型:禮品</div><div>設計年份:民國110年1月</div><div><br /></div>Twixthttp://www.blogger.com/profile/00125486091288723324noreply@blogger.com0tag:blogger.com,1999:blog-7783736194613721061.post-10964612391560561822020-12-05T21:01:00.007+08:002020-12-05T21:01:58.799+08:00[015] 2015-2020公共|廠辦|商業建築集錦<p>建築師<br />換證而來的作品整理,來到了第二篇。</p><p>隨著事務所的發展,我們開始有了做公眾類型建築的機會,包含了廠辦、旅館、商業、公共工程等案件,比起私人住宅,這類型建築的時間就更漫長了,在開發、執行的過程中往往會遇到各式的問題,以我們目前簽下的十三個案件來說,有兩件取消計畫,六件在建,而有五件仍在開發、申請階段。</p><p>雖然漫長,但能從經營、企業形象、活動創造等各種不同面向與業主討論建築,都是讓人非常興奮的事情呀,也期待未來案子都能順利執行,丟下一顆石子,起點漣漪。</p><p>參與人員:蔡長恩/陳雍雍/蔡沛辰/邱崑銓/趙資洋/卓鎮顥/林裕庭/張允中/蔡金澧/周曉恬</p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/mBBSNBzJLe0" width="320" youtube-src-id="mBBSNBzJLe0"></iframe></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyNp4GWU8iOQJzR2bDbV45y_PdguBSddY3zgm7dW12NpKqsSrqEUGC0IfwzFb0TIqLSNFNHW2d775CZltru8mEQ9nEweqBT-9GAeHK_AoBqf3UjlBZSXqZ98WfqwmR2oCekWaINyy87zA/s2896/%25E4%25BA%258B%25E5%258B%2599%25E6%2589%2580%25E5%2585%25AC%25E7%259C%25BE%25E9%259B%2586%25E9%258C%25A6.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1086" data-original-width="2896" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyNp4GWU8iOQJzR2bDbV45y_PdguBSddY3zgm7dW12NpKqsSrqEUGC0IfwzFb0TIqLSNFNHW2d775CZltru8mEQ9nEweqBT-9GAeHK_AoBqf3UjlBZSXqZ98WfqwmR2oCekWaINyy87zA/s320/%25E4%25BA%258B%25E5%258B%2599%25E6%2589%2580%25E5%2585%25AC%25E7%259C%25BE%25E9%259B%2586%25E9%258C%25A6.jpg" width="320" /></a></div><br /></div><br /><p><br /></p><p><br /></p>Twixthttp://www.blogger.com/profile/00125486091288723324noreply@blogger.com0tag:blogger.com,1999:blog-7783736194613721061.post-63880711875601049562020-11-24T04:53:00.004+08:002020-12-05T20:58:56.459+08:00[014] 2015-2020獨棟住宅集錦<p><span face="Roboto, RobotoDraft, Helvetica, Arial, sans-serif" style="background-color: white; color: #202124; font-size: 14px;">獨棟住宅,是我們事務所起步的基石,五年匆匆,一看編號竟然已來到了二十號,於是興起整理的念頭;一直覺得,小住宅的設計過程像是與業主的恰恰,在進退之間,慢慢摸索建築的樣貌,有時候默契十足,也有貌合神離的時候。</span></p><p><span style="background-color: white; color: #202124; font-size: 14px;">如今,把案子一字排開來,就像是事務所的編年史,無論過程,都真實地寫下一個個的段落,如果再加上那些遺珠的方案,恐怕會變成一個驚人的矩陣吧?在這二十個案子裡,有兩案在裝修階段,八案在建,另有八案正在申請執照,有兩案則在過程中取消興建。還有</span><span style="background-color: white; color: #202124; font-size: 14px;">美中不足的,大概是有許多心儀的前期方案未能獲得業主青睞,成了遺珠吧?在找一天來整理整理這些遺珠之憾囉!</span></p><p><span style="background-color: white; color: #202124; font-size: 14px;">建築呀,真是磨人的漫長不是嗎?</span></p><p><span style="background-color: white; color: #202124; font-size: 14px;">參與人員:蔡長恩/陳雍雍/邱崑銓/趙資洋/卓鎮顥/林裕庭/張允中/蔡金澧/周曉恬/吳瑄瑩</span></p><br style="-webkit-tap-highlight-color: transparent; background-color: white; color: #202124; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; font-size: 14px;" /><br /><div><span style="color: #202124;"><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/sB7ZkzOrGgs" width="320" youtube-src-id="sB7ZkzOrGgs"></iframe></div><br /><span style="font-size: 14px;"><br /></span></span><div><span face="Roboto, RobotoDraft, Helvetica, Arial, sans-serif" style="color: #202124;"><span style="font-size: 14px;"><br /></span></span></div><div><span face="Roboto, RobotoDraft, Helvetica, Arial, sans-serif" style="color: #202124;"><span style="font-size: 14px;"><br /></span></span><span face="Roboto, RobotoDraft, Helvetica, Arial, sans-serif" style="background-color: white; color: #202124; font-size: 14px;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0pCGumckquuZ2yfbBPfPqu4Pi0xQMQKhA3Xvse_qKKOQvNCe94ck_H4ywCa61uN-j1-0SD7PF0rO-nqfbtdGSOk_xe_EOhQXxUyi6WVJb3vz4-WtlbNabMzpV2Q4J9uK1Ktm736iDzFE/s2896/%25E4%25BA%258B%25E5%258B%2599%25E6%2589%2580%25E4%25BD%258F%25E5%25AE%2585%25E9%259B%2586%25E9%258C%25A6.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1086" data-original-width="2896" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0pCGumckquuZ2yfbBPfPqu4Pi0xQMQKhA3Xvse_qKKOQvNCe94ck_H4ywCa61uN-j1-0SD7PF0rO-nqfbtdGSOk_xe_EOhQXxUyi6WVJb3vz4-WtlbNabMzpV2Q4J9uK1Ktm736iDzFE/s320/%25E4%25BA%258B%25E5%258B%2599%25E6%2589%2580%25E4%25BD%258F%25E5%25AE%2585%25E9%259B%2586%25E9%258C%25A6.jpg" width="320" /></a></div><br /></span></div></div>Twixthttp://www.blogger.com/profile/00125486091288723324noreply@blogger.com0tag:blogger.com,1999:blog-7783736194613721061.post-38409011220648674142019-07-12T11:41:00.001+08:002019-07-12T11:41:33.202+08:00[013] 自宅-惠宇清朗常這麼想。<br />
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自宅,應該要是自身文化涵養的展示場。因此,建築師/設計師所扮演的,是用空間演繹文化的角色,不用太多個人色彩,只需順著業主的文化脈絡與性格,空間的雅興便會隱隱地浮現。<br />
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而這間「建築師自宅」,亦是彰顯了建築師本身的性格,從重現「陰翳禮讚」一書中對金箔的描繪,到各式燈光、設備的整合,既存感性,卻也一絲不苟。<br />
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作品地點:台中北區。</div>
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台灣作品類型:室內設計</div>
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設計年份:民國107年10月</div>
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完工年份:民國108年04月</div>
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參與人員:陳雍雍、趙資洋</div>
<br />Twixthttp://www.blogger.com/profile/00125486091288723324noreply@blogger.com0tag:blogger.com,1999:blog-7783736194613721061.post-33164709212402443832019-01-17T13:23:00.003+08:002019-01-17T13:23:57.809+08:00[012] 藏御-大觀遠建設若你走過台中太平區的祥順路,順著河走,會看到這麼一棟富有層次的建築。<br />
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事務所第一個建設公司案已經完工一年,作為初試啼聲的案子,我們投注了很多想法;首先,因為基地的正向面東,有著公園與河川的良好景觀,因此決定以「窗景」的方式,創造一具有韻律感的立面。其二,我們將圍塑窗景的外框,前後交疊,創造出不同的層次與深度,這一方面達到面東遮陽的效果外,若從六米巷道的方向觀看,則會見到層層如山巒相疊的風景,讓一個簡單的透天建案,成了有各種風景的特色住家。<br />
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榮幸的,在案件開賣不久後就銷售一空了,因此趕快趁著藍天來記錄一下!<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhfqOineyT6wCGaWXPZZDGnHa-NY3j6H0LZu85JBn7Mpkd8Qyw1cIR-0SeY8OD2M88QxSotllMVMCiCfdI5eUI2qRpb8j7prEOFW5SfAytYs7_-EIEvqgQ0HXJYhGAUqUxrdLX-vrUTJ4/s1600/001.jpg" imageanchor="1"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhfqOineyT6wCGaWXPZZDGnHa-NY3j6H0LZu85JBn7Mpkd8Qyw1cIR-0SeY8OD2M88QxSotllMVMCiCfdI5eUI2qRpb8j7prEOFW5SfAytYs7_-EIEvqgQ0HXJYhGAUqUxrdLX-vrUTJ4/s320/001.jpg" width="320" /></a></div>
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公園向風景</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhv3E5bw6tAmudvpPTqX6Q1l2TxZhHubt5_ml7refxzu6Ii0TaLSTD3QmYc2rVSULrmc4VQdYrllKikHfxr05sunBlrhs4wnVDgsSHdhcpg16KdcdJ0doSaH5OnCFuOBJjDjd9wEwC0L6c/s1600/002.JPG" imageanchor="1"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhv3E5bw6tAmudvpPTqX6Q1l2TxZhHubt5_ml7refxzu6Ii0TaLSTD3QmYc2rVSULrmc4VQdYrllKikHfxr05sunBlrhs4wnVDgsSHdhcpg16KdcdJ0doSaH5OnCFuOBJjDjd9wEwC0L6c/s320/002.JPG" width="320" /></a></div>
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具韻律感的窗景設計之一</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKocsA17W15PsbH8ImjttNMRvyMM_8C5ujjOn-F_KKitQNG_K3IFTy-NWuuISPZxqPFT5CADsXx1V5vDJP-VGPorJc5bEBOC_Xy3v9vo4eQboDBuQdOvfFAdIrhGhCHrZqggmrWKD68io/s1600/003.JPG" imageanchor="1"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKocsA17W15PsbH8ImjttNMRvyMM_8C5ujjOn-F_KKitQNG_K3IFTy-NWuuISPZxqPFT5CADsXx1V5vDJP-VGPorJc5bEBOC_Xy3v9vo4eQboDBuQdOvfFAdIrhGhCHrZqggmrWKD68io/s320/003.JPG" width="320" /></a></div>
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具韻律感的窗景設計之二</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3pUSKV-D_bmtCJgaMXUiMLTxraQbPkKx_Po8i9eitdLjX6HzRANFpLD3dcg2ct16FUaSdEIvjmFmMgtrZAURc1ioKZZxvYUT-FA6uV_nZbJWVXHLQ5fPfrOLEGPMgwKp_GVCMbU6Kx8s/s1600/004.jpg" imageanchor="1"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3pUSKV-D_bmtCJgaMXUiMLTxraQbPkKx_Po8i9eitdLjX6HzRANFpLD3dcg2ct16FUaSdEIvjmFmMgtrZAURc1ioKZZxvYUT-FA6uV_nZbJWVXHLQ5fPfrOLEGPMgwKp_GVCMbU6Kx8s/s320/004.jpg" width="240" /></a></div>
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街道側的建築風景之一</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipbmbfC7b3bSeEB42CWnDflmGAfb6iFc7qmtCTAexp2pzkpyNdnD722B66IE05C_bVQPHtYQhT1d2evrtmTRPOv7ogwJJwo68tCVu9NE3QNOq8BTIRV6KeGwvl-MP06WQgf0Lqpjw9wCg/s1600/005.JPG" imageanchor="1"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipbmbfC7b3bSeEB42CWnDflmGAfb6iFc7qmtCTAexp2pzkpyNdnD722B66IE05C_bVQPHtYQhT1d2evrtmTRPOv7ogwJJwo68tCVu9NE3QNOq8BTIRV6KeGwvl-MP06WQgf0Lqpjw9wCg/s320/005.JPG" width="320" /></a></div>
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街道側的建築風景之二</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0F3VzXzmHYQDVGBWzwicCpOjHo9oCCiaI0mxCsLjnmGK9v1hMUYPznWUuIWsojthTglL_lZMx4MzTVLsj5s4EA8EN88_MEtjy-AaYC-DTLQMMW6celmaYA2UX2amaWH91-m1cecMYnlI/s1600/006.JPG" imageanchor="1"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0F3VzXzmHYQDVGBWzwicCpOjHo9oCCiaI0mxCsLjnmGK9v1hMUYPznWUuIWsojthTglL_lZMx4MzTVLsj5s4EA8EN88_MEtjy-AaYC-DTLQMMW6celmaYA2UX2amaWH91-m1cecMYnlI/s320/006.JPG" width="240" /></a></div>
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街道側的建築風景之三</div>
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作品地點:台中太平。</div>
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台灣作品類型:連棟透天</div>
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設計年份:民國105年4月</div>
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完工年份:民國106年11月</div>
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參與人員:卓鎮顥、趙資洋</div>
Twixthttp://www.blogger.com/profile/00125486091288723324noreply@blogger.com0tag:blogger.com,1999:blog-7783736194613721061.post-18744488175349143912019-01-15T19:44:00.001+08:002019-01-17T13:05:02.333+08:00[011] 己亥年 - 「吉豬發財」紅包袋開始像是事務所的一個小界標,當每一年紅包袋從印刷廠中懷著忐忑的印出後,事務所就長大了一點、老了一些。<br />
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而如同過去,今年也做了不同的嘗試,以「吉豬發財/七朱八白」的概念,把中式建築的闌額給如仰視般的展開來,有屋瓦,也有地坪,而點綴其間的七朱八白,則像豬鼻或像如意,期望讓紅包多帶了些建築的意涵。<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-_RdZSeoi3f_ZBKyXoZHKAbS4rqw7TNlYxR2ZfgCLD2KxKEVx7AeZ4VF02Jw6hm9AIWcYvcwJle9NHXGWZ5v1zVpODspI4bVtaEytM32QwfyZnC-Awq0f7fAr0F8TvPqWS3ibf9opjkk/s1600/P1150001.JPG" imageanchor="1"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-_RdZSeoi3f_ZBKyXoZHKAbS4rqw7TNlYxR2ZfgCLD2KxKEVx7AeZ4VF02Jw6hm9AIWcYvcwJle9NHXGWZ5v1zVpODspI4bVtaEytM32QwfyZnC-Awq0f7fAr0F8TvPqWS3ibf9opjkk/s320/P1150001.JPG" width="320" /></a></div>
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正面</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyVs0RrwhJYuggK0eacg0Ab7Zx7bJgUMpbt3cmm3A6rIv0akjEnEzdkwcz5hDcplKSzhFh-iS7FqcdoEoogMUAL5akNLkslTBwzhIzkkfhc9YgLBR4b8bJq8L2AbTNCG0QJxJE6_gGK08/s1600/P1150004.JPG" imageanchor="1"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyVs0RrwhJYuggK0eacg0Ab7Zx7bJgUMpbt3cmm3A6rIv0akjEnEzdkwcz5hDcplKSzhFh-iS7FqcdoEoogMUAL5akNLkslTBwzhIzkkfhc9YgLBR4b8bJq8L2AbTNCG0QJxJE6_gGK08/s320/P1150004.JPG" width="240" /></a></div>
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背面</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiH2YclA1Ohrlv3G3WyVce9yk7ps7ITxyeOVK-NK_tlDYNH5k4TgB-P7jMIcN0JoquhIUw0sJKYLx_tP-jGPpUx9QGxepi9A1LZusxiV9Y5kZfZU5dfRIL9EZqhVUjUBu11WN6DtsxsqE/s1600/DSC08238.JPG" imageanchor="1"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiH2YclA1Ohrlv3G3WyVce9yk7ps7ITxyeOVK-NK_tlDYNH5k4TgB-P7jMIcN0JoquhIUw0sJKYLx_tP-jGPpUx9QGxepi9A1LZusxiV9Y5kZfZU5dfRIL9EZqhVUjUBu11WN6DtsxsqE/s320/DSC08238.JPG" width="320" /></a></div>
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寧波-保國寺</div>
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作品類型:禮品</div>
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設計年份:民國108年1月</div>
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參與人員:趙資洋<br />
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Twixthttp://www.blogger.com/profile/00125486091288723324noreply@blogger.com0tag:blogger.com,1999:blog-7783736194613721061.post-49409288984143227842018-12-27T12:46:00.001+08:002019-01-17T13:05:35.069+08:00[010] 新銳建築師獎投稿/我們事務所連續兩年承蒙前輩推薦,受邀投稿「臺中市大臺中建築師公會-新銳建築師獎」,實在百感交集;其實我們很少宣傳自己的作品,也無意投注心力在追逐獎項,在這個事務所還年輕的階段,我們總想著怎麼築下更踏實的基礎,因此,我們做了一個決定,將事務所作為「代表作品」投向這個獎座,畢竟,對我們來說,無論已完成或是孕育中的作品,都是這個事務所的所有同仁用心澆灌的結果。<br />
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以下是投稿全文:<br />
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「<span style="color: #141823; font-family: "adobe 黑体 std r" , sans-serif; font-size: 11pt; text-align: justify;">本所,從</span><span lang="EN-US" style="color: #141823; font-family: "adobe 黑体 std r" , sans-serif; font-size: 11pt; text-align: justify;">2016</span><span style="color: #141823; font-family: "adobe 黑体 std r" , sans-serif; font-size: 11pt; text-align: justify;">年開業迄今,已走入第三個年頭,在這一千多天之中,我們專注於私人建築案件的設計規劃,從</span><span lang="EN-US" style="color: #141823; font-family: "adobe 黑体 std r" , sans-serif; font-size: 11pt; text-align: justify;">250</span><span style="color: #141823; font-family: "adobe 黑体 std r" , sans-serif; font-size: 11pt; text-align: justify;">平方公尺的小住宅,到</span><span lang="EN-US" style="color: #141823; font-family: "adobe 黑体 std r" , sans-serif; font-size: 11pt; text-align: justify;">12000</span><span style="color: #141823; font-family: "adobe 黑体 std r" , sans-serif; font-size: 11pt; text-align: justify;">平方公尺的住宅社區,建築高度從</span><span lang="EN-US" style="color: #141823; font-family: "adobe 黑体 std r" , sans-serif; font-size: 11pt; text-align: justify;">二</span><span style="color: #141823; font-family: "adobe 黑体 std r" , sans-serif; font-size: 11pt; text-align: justify;">層平房到</span><span lang="EN-US" style="color: #141823; font-family: "adobe 黑体 std r" , sans-serif; font-size: 11pt; text-align: justify;">十二</span><span style="color: #141823; font-family: "adobe 黑体 std r" , sans-serif; font-size: 11pt; text-align: justify;">層的旅館,類型跨及醫療、住宅、商空、廠辦,而設計足跡則自台灣北海岸的金山到國境之南的墾丁;初步統計建築案件,本所目前完成的已有三件,而請領建築執照或完成簽約的有十五件,還有約三十份的完整設計提案,在不同的原因下束之高閣。</span><br />
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<span style="color: #141823; font-family: "adobe 黑体 std r" , sans-serif; font-size: 11.0pt;">我認為,做為比多數建築的營建時程還年輕的本所,若有任何做為「新銳」的可能性,即在這三年間些層層積累的案件中,所秉持的理想與藍圖;首先,「共生」是本所的經營重點,藉有意識的選擇成員及管理,打造一個低流動、高學習成長的職場環境,在三年內已有六位穩定成員。其二,面對建築,我們將事務所視為「知識體」經營,藉由策略性的目標案件,持續、有系統的累積建築各面向的知識。其三,為「平台」的打造,在現今業主專業化的趨勢下,嘗試建立一個可有效檢視、溝通的流程。</span><span lang="EN-US" style="color: #141823; font-family: "adobe 黑体 std r" , sans-serif; font-size: 11.0pt;"><o:p></o:p></span></div>
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<span style="color: #141823; font-family: "adobe 黑体 std r" , sans-serif; font-size: 11.0pt;">而這非一蹴可幾之事,我們仍在持續的調整,階段性的訂定未來目標;我想我們在以初生之犢的姿態,於建築的各種類型中提出各式不同以往的提案,試探建築邊界與可能的同時,也正在厚築基礎,為未來做好準備。我想,也正是這樣的精神,讓事務所持續得到業主的青睞,有了繼續前進的動能。</span><span lang="EN-US" style="color: #141823; font-family: "adobe 黑体 std r" , sans-serif; font-size: 11.0pt;"><o:p></o:p></span></div>
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<span style="color: #141823; font-family: "adobe 黑体 std r" , sans-serif; font-size: 11pt;">我們的事務所,即是屬於我們的代表作品。</span>」<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwsHjQmIvyKXmhy13rc93cJK_tkhSzKlWPCsaDzMC2l2CeN2s1RQ0UEPOnzoTWAZK3IktIyXJV2SRwBuom5eMAxu5KVyw6gFBuDPZNeyuISCIkazTQCHejgfogTs3EV_zMnqSTiNVmRhU/s1600/%25E4%25BD%259C%25E5%2593%2581%25E9%259B%2586%25E6%2588%259001.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1132" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwsHjQmIvyKXmhy13rc93cJK_tkhSzKlWPCsaDzMC2l2CeN2s1RQ0UEPOnzoTWAZK3IktIyXJV2SRwBuom5eMAxu5KVyw6gFBuDPZNeyuISCIkazTQCHejgfogTs3EV_zMnqSTiNVmRhU/s320/%25E4%25BD%259C%25E5%2593%2581%25E9%259B%2586%25E6%2588%259001.jpg" width="226" /></a></div>
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<br />Twixthttp://www.blogger.com/profile/00125486091288723324noreply@blogger.com0tag:blogger.com,1999:blog-7783736194613721061.post-74887914413543983122018-02-07T13:08:00.000+08:002019-01-17T13:09:17.012+08:00[009] 戊戌年 - 「年年有餘」公司第二年的紅包出爐,這一年採用我們在室內設計案中所設計的「魚」造景,以及「春」字燈籠,來作為這一年的賀歲封面,祝所有好朋友及業主們,年年有餘!<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_tCiJvErtg0T5x-Q3Oyal_h81S8Lt9N7H9z4IM3TTn30lXlPUyVKhimU96qbA9r3HG5uKzijVVdDVp1kH8cYj1Tp992-E78sDelba9Gk6AJspBVy-3JZP3dfijCXuqtwm2y3uvrl0jQ4/s1600/20180207_120519589_iOS.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_tCiJvErtg0T5x-Q3Oyal_h81S8Lt9N7H9z4IM3TTn30lXlPUyVKhimU96qbA9r3HG5uKzijVVdDVp1kH8cYj1Tp992-E78sDelba9Gk6AJspBVy-3JZP3dfijCXuqtwm2y3uvrl0jQ4/s320/20180207_120519589_iOS.jpg" width="240" /></a></div>
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紅包正面</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9hW9U9YER89bAUDuS6EsHX_P94CI6GCAfWvIjPZ0XHhuCLTT6dEfSSV7NPM2T1plm9LkjahALcoOjSGIkCyyEN-30ISUdJYZEyXxDYYyKtmwyDlwRp6VOKoEW7kQ1XWOjuxWSrOcBkis/s1600/20180207_120912962_iOS.jpg" imageanchor="1"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9hW9U9YER89bAUDuS6EsHX_P94CI6GCAfWvIjPZ0XHhuCLTT6dEfSSV7NPM2T1plm9LkjahALcoOjSGIkCyyEN-30ISUdJYZEyXxDYYyKtmwyDlwRp6VOKoEW7kQ1XWOjuxWSrOcBkis/s320/20180207_120912962_iOS.jpg" width="240" /></a></div>
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紅包背面</div>
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作品類型:禮品</div>
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設計年份:民國107年2月</div>
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參與人員:趙資洋</div>
Twixthttp://www.blogger.com/profile/00125486091288723324noreply@blogger.com0tag:blogger.com,1999:blog-7783736194613721061.post-91022462687579904382017-10-03T10:47:00.002+08:002017-10-03T10:47:32.970+08:00[008] 丁酉年 - 中秋杯墊今年中秋,我們委託「厚橋木箔畫藝術工作室」製作月亮杯墊,以木箔拼貼的方式將月亮的正、反兩面呈現出來,無論是玉兔搗月或是滿坑滿谷的月球,各有風貌,是手工細細打造的中秋味。<br />
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也是感謝同事與實習生們辛勞的一點心意。<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy0W8jL2Z9j0cf6qgyX7oX7Txz1M6rhpDQlthfuFxepy7ySIRXtY9Qfh6tSKBKmHFZTvjCkWkRG6_kweJ-MfV3AdHUw0v2SQKZUZcmtlqnqsTLvJC2PeoZUEfyscirFGEqGHbeUqB4ono/s1600/22048182_10214790806952194_858953433550153025_o.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1281" data-original-width="1600" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy0W8jL2Z9j0cf6qgyX7oX7Txz1M6rhpDQlthfuFxepy7ySIRXtY9Qfh6tSKBKmHFZTvjCkWkRG6_kweJ-MfV3AdHUw0v2SQKZUZcmtlqnqsTLvJC2PeoZUEfyscirFGEqGHbeUqB4ono/s320/22048182_10214790806952194_858953433550153025_o.jpg" width="320" /></a></div>
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作品類型:禮品</div>
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設計年份:民國106年10月</div>
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協力廠商:厚橋木箔畫藝術工作室</div>
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參與人員:羅逸翔</div>
Twixthttp://www.blogger.com/profile/00125486091288723324noreply@blogger.com0tag:blogger.com,1999:blog-7783736194613721061.post-51504599124090408292017-10-03T10:41:00.004+08:002017-10-03T10:48:05.489+08:00[007] 丁酉年 - 金「基」賀歲我們事務所,常常不安於室的,除了建築還想要多做些不同的事情。因此,在這個事務所獨立運作的第一個農曆新年,我們以雞年諧音「基」為主題,填上了滿滿元寶,祝福大家來年打好基礎,過個好年!<br />
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*紅包小常識-筏式基礎:為台灣中低層建築常見基礎樣式,其中為了增加建築重量、減少開挖土方運棄成本,會於筏式基礎內回填土方。當然,這回填的是元寶呢!<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAgbapLc5RVdlU6sx9m2nq8T-NmZB2uFQGDWXkFMeLlqF1uyizLW6ViIDv-G6WSsmN8ZOzEdLwWQ9Dp8nDABipi1nPEY1SIKH8U_x796YjOfUZjo70QCvjHnfu_rMmL2M56o57B5B_kpw/s1600/15977562_10212311576732988_6749662926740021035_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="720" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAgbapLc5RVdlU6sx9m2nq8T-NmZB2uFQGDWXkFMeLlqF1uyizLW6ViIDv-G6WSsmN8ZOzEdLwWQ9Dp8nDABipi1nPEY1SIKH8U_x796YjOfUZjo70QCvjHnfu_rMmL2M56o57B5B_kpw/s320/15977562_10212311576732988_6749662926740021035_n.jpg" width="240" /></a></div>
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作品類型:禮品</div>
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設計年份:民國106年2月</div>
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參與人員:趙資洋</div>
<br />Twixthttp://www.blogger.com/profile/00125486091288723324noreply@blogger.com0tag:blogger.com,1999:blog-7783736194613721061.post-76444656363295693702017-01-13T15:31:00.003+08:002017-01-13T15:34:01.699+08:00[006] 豐嬴資產辦公室本案位於香港本島,為本所第一個海外作品,以白色石材、簡約線條的玻璃框景,區隔出不同的空間,並嘗試不同色彩的家具及地毯,以繽紛的色彩營造出一以女性為主的辦公環境。<br />
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作品地點:太古廣場A座。香港</div>
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作品類型:商業空間/室內設計</div>
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設計年份:民國105年5月</div>
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設計師 :陳尹之、蔡長恩<br />
參與人員:賴怡如</div>
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Twixthttp://www.blogger.com/profile/00125486091288723324noreply@blogger.com0tag:blogger.com,1999:blog-7783736194613721061.post-21173638543377810702016-10-04T20:47:00.000+08:002017-01-13T15:33:55.471+08:00[005] -「一年半載」這天,是事務所開張的「一年半載」紀念日。<br />
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時光飛快的過去,但是建築還在緩緩的懷著,懷在腦海,懷在硬碟的位元海,懷在建管科的卷宗海裡。總想著建築真是不容易哪,每每看到名子被謄在工程告示牌上時,那個擔子就背在肩上,一扛,就要跟他白頭偕老,又是一輩子。<br />
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這一年半載,是怎麼開始的呢?回想開業這條路,要感謝建築前輩與許多朋友的幫忙,讓我有機會與空間,得以望見許多不同的事物,在人建築間徘徊,在人與人之間徘徊,從土地到建築,再到不同的家族之間,有許多過去未曾經驗的事物需要面對,解決。想想,這都是開業之前所未曾想過的,若沒踏上這條路,也許也無法意會吧。<br />
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來年,許多案子都要動工、落成,那到時見囉。<br />
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<br />Twixthttp://www.blogger.com/profile/00125486091288723324noreply@blogger.com0tag:blogger.com,1999:blog-7783736194613721061.post-23552169172366925332016-08-01T18:28:00.002+08:002016-08-01T18:28:55.431+08:00[004] Factory 001 - 集集鎮太陽能電廠設計案我們是這麼想的,一座鄉鎮邊緣的太陽能發電,除了提供能源,還可以做得更多。<br />
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本案位於集集市區南側與田園景觀之交界處,因應能源政策與趨勢,設計太陽能電廠乙座。受限於再生能源發展條例,太陽能板需安置於屋頂面三米之下,因此,我們期望透過不規則的屋頂設計,配合該區陽光入射角度,營造複合使用與發電效益兼具的太陽能廠。<br />
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作品地點:南投集集 . 台灣</div>
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作品類型:工廠 / 店鋪</div>
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設計年份:民國105年7月</div>
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參與人員:卓鎮顥、趙資洋、張軒嘉</div>
Twixthttp://www.blogger.com/profile/00125486091288723324noreply@blogger.com1tag:blogger.com,1999:blog-7783736194613721061.post-29606724218277533302016-04-14T22:44:00.002+08:002017-06-29T10:20:57.766+08:00[003] 藏御 - 大觀遠建設(提案)在執業之前,總對於房地產類型的案子有所芥蒂,畢竟建設公司的主導性強,往往為了成本抹去嘗試的可能性,但是幸運的,碰到了對的建設公司,事情就有趣了起來。<br />
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在這塊隔著六米巷道,面對著公園河川的基地中,我們藉著樹枝般的立面,搭配鋁格柵如樹葉般的造型,用韻律感強烈的框景,期待與緊鄰的大樹們形成一道相互呼應的街景。<br />
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作品地點:台中太平。台灣</div>
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作品類型:連棟透天</div>
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設計年份:民國105年4月</div>
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參與人員:卓鎮顥、趙資洋</div>
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Twixthttp://www.blogger.com/profile/00125486091288723324noreply@blogger.com0tag:blogger.com,1999:blog-7783736194613721061.post-55549358305403132572016-01-21T03:53:00.001+08:002016-04-14T22:48:42.345+08:00[教記 19]- 覆學生來信之一<div style="background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; line-height: 25.76px; white-space: pre-wrap;">
<span style="font-size: x-small; line-height: 25.76px;">「蔡長恩老師您好
冒昧打擾您,有些問題想請教老師您 ,關於老師您本身具備豐富的經驗與歷練,是如何在建築的道路上,種下成功的標竿?如何預備進入”東海建築”(經過走訪幾次評圖,發現是另個嚮往的世界),接著榮獲建築師執照,並建立事務所...(節錄)」</span></div>
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<span style="font-size: x-small;">前些日子,意外的收到來自學生的一封訊息,總覺得不好意思,年近三十,萬事躊躇,事務所開而待立,手上的案子盡善卻還未盡美,就便要回答這些是怎麼走到這裡的,該說些什麼呢?苦思之餘,也重新的梳理過自己的人生,倒也念起之前寫的一篇文章「組構」。</span></div>
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「我感念,那些拼湊成我的那些部份。」</span></h4>
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<span style="font-size: x-small;">大概是幸運吧,每當有人問我怎麼走到這裡時,總是浮現這句話。我相信這是很多人的標準回答,因為當我們回顧足跡,發現若不是很多的巧合與貴人協助,我們不會站在那裡。</span></div>
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<span style="font-size: x-small;">就拿我的求學來作比方吧,推甄台北科技大學只差0.6分,分發時卻跳過雲科大及許多國立大學而來到了朝陽科大,四年後,因緣際會沒有去美國交換學生,連中原和朝陽研究所都沒有推甄上,便去考了東海研究所。而在東海研究所的評圖室,教授們討論我未完成的圖面,直到一位老師認為頗有潛力而讓我進了校園的大門。研究所畢業後,在軍中開始建築師考試的生涯,剛好在工作經驗滿兩年的時刻考上建築師,於是直接開業到了今天。這難道不是幸運嗎?</span></div>
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<span style="font-size: x-small;">我想是極其幸運的。</span></div>
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<a name='more'></a><span style="background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; font-size: x-small; line-height: 25.76px; white-space: pre-wrap;">但是,到底是什麼事情造成幸運的呢?這或許才是關鍵,我們必須拆解幸運這兩個字,探看究竟還包含了些什麼,我認為大概可以理出幾個特質: </span><br />
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<span style="background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; font-size: x-small; line-height: 25.76px; white-space: pre-wrap;">1. 勇氣:雖然說是勇氣,倒不如說是沒想這麼多就埋頭去做。人生很多時候都是這樣的,不敲門,永遠沒有機會,有很多時候我都在做別人不願意做的事情,回頭想想很浪費時間,卻收穫很多,包含朋友,各種與眾不同的經驗,仔細想想,就像是Yes Man這部電影吧。</span><br />
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<span style="color: #141823; font-family: helvetica, arial, sans-serif; font-size: x-small; line-height: 25.76px; white-space: pre-wrap;">2. 偏執:出了社會幾年,也教了幾年書,發現大多數有些成就的人都有某種完美主義的偏執,大到嚴謹的人生規劃、每日規律作息,小到像無法接受圖面不是整數、材料沒有對齊、桌子沒有擺放整潔、雜誌沒有按期分類...無論如何,都有想要把某些事情完整做完的衝動,對我來說,這是非常重要的。</span></div>
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<span style="font-size: x-small;">3. 個人特質:這是很抽象的一環,不得以的以我為例,也許是家裡環境的關係,我是非常善於觀察與興趣廣泛的人,觀察力帶給我非常多的好處,從與人相處到與建築的接觸,使我可以比較準確的抓住業主的喜好與需求,往往手上的案子沒有超過兩次還無法定案的,這對我的職業生涯有很大的幫助。而興趣廣泛也是我的一個特質,從小涉獵了各種不同領域的知識,即便是三分鐘熱度也好,也會去挖掘很冷門的東西來閱讀,這些看起來只是消磨時間的舉動,反而讓我在設計思考的過程中,有很多的素材可以發揮,進而產生我的個人特色。這些都是專業外,個人附加的價值,每個建築師都不同,這是生命歷經無數寒暑的積累,我常說的土壤。那你自己的呢?是否每一天都在累積些什麼?</span></div>
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<span style="font-size: x-small;">以上,只能先草擬個三點,若可以,加上我最喜歡的建築師伊東豐雄的建築人三條件吧,「好奇(觀察力)、純粹(童心)、社會批判力」這也是我引以受用的關鍵字。而每個人的路都不一樣,當我看著你們時,我認為如果好好的前進,肯定能有所成就的,甚至,還能比我更好,畢竟,無論是圖學或是模型,現在的你們已經比當時的我來的更好了,唯一的差別是,當時的我因為要做實驗而把學校的馬桶弄壞,為了討論設計,每天跟學長學弟們泡在一起,最後還一起創了一點小業,更不辭辛勞的每天在埔里與台中市穿梭,只因為可以多做有趣的事情,而沒有太多的時間徬徨。</span></div>
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<span style="font-size: x-small;">年輕嘛,做就是了。</span></div>
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<span style="font-size: x-small;">乙未歲末 蔡長恩書於厚思邸</span></div>
Twixthttp://www.blogger.com/profile/00125486091288723324noreply@blogger.com0tag:blogger.com,1999:blog-7783736194613721061.post-16515829353258406392015-05-31T10:52:00.000+08:002015-05-31T11:15:03.368+08:00[教記 18]- 請問芳名教書邁入第三個學年度,學生的人數卻與生育率成反比,他們說,這叫做未雨綢繆。<br />
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於是縱使有十位老師坐鎮,都還得配得十五位學生,比起過去十位學生就能譬為「大編制」來說,這可算是軍團等級的「雄師」,姑且不論討論設計的時間是如何無盡的延伸,光是記住諸位同學的姓名,便是對隨年紀漸減的記性擲出挑戰,而勝率渺茫。<br />
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若細究原因,與上年度相比,每次帶的學生多了兩位,而設計的分組少了一次,理說有更多的時間相處,這多增的人數對記憶來說並不算是沉痾,那究竟是少了些什麼呢?回望自己的教學日記,「興趣」是早在第一年教書生涯中就發現的「危機」,當每人十張的一百五十張照片裡,有一百四十五張是相同的角度時。<br />
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坦白說,這並不是一個好現象。<br />
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<br />Twixthttp://www.blogger.com/profile/00125486091288723324noreply@blogger.com0tag:blogger.com,1999:blog-7783736194613721061.post-50340802413954519562015-05-30T23:48:00.000+08:002015-05-30T23:48:16.671+08:00[教記 17]- 證,明了什麼?<div>
當教書生涯一晃過了三個年頭,向學校申請講師證書,像是為緬逝去的歲月,替自己印了個足跡,留了個念。</div>
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而在同一天,一位指導過的同學正因為選擇畢業設計老師的困擾與我討論,他說,有不少的老師因為比較嚴厲,而致學生打上較差的評鑑而離開,也有些老師因為教學上的失望而拂袖而去,於是少了教學上的多樣性,讓其無法抉擇畢業設計的指導老師與方向,並感到萬般無奈。</div>
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而今日需得此一紙證書,需要連續四個學期學生的「應許」,似乎只證明了自己符合學生的「期待」,卻不能證明自己是位適格對學子有益助的講師,如今,看著許多老師先進因為對學生與自我的嚴格要求而離開,而自己面對這樣的「應許」及「期待」,又何其一紙難堪呢?<br />
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Twixthttp://www.blogger.com/profile/00125486091288723324noreply@blogger.com0tag:blogger.com,1999:blog-7783736194613721061.post-89401429454101516202015-05-30T20:14:00.002+08:002015-05-30T20:20:46.468+08:00[教記 16]- 我們來自東石大學的建築設計課因為需要討論的原故,往往是分成小組依照題目輪著不同學生上課的。通常每學期會輪到三輪,也就是大約四十名學生,粗算這三年下來大概也指導有兩百來位了,而每次依例問著學生打從哪來,無論東西南北,更遑論海外僑生,就是尋不著一位同鄉,一位來自東石的同鄉。其實,若要把搜尋的範圍再擴大些,自己小小眼界裡建築圈子,也還真的找不到任何出身東石的蹤跡,幾乎要讓人以為我的故鄉「東石」興許是建築師的荒地也說不定。<br />
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而這學期,總算遇見一位來自「東石」的學生,而彼東石卻非此東石,而是福建省泉州市晉江市東石鎮,與我國台灣省嘉義縣東石鄉隔海相望,僅約220公里的距離,距離第二家鄉的台北,也不過是這個距離,只不過當年隔著海,今夕隔著不同的憲法。回首三百五十年前,第一次踏上這塊土地的人,用家鄉的名稱替這裡命了名,建了廟,拜故土的神明,憑藉著回憶,蓋著故土的民居。祖上那輩的,都還記得自己來自泉州,但我們這代人早就不去探究了,說那是八輩子以前的事也毫不誇飾,於是,地理上的距離畫不出那道鴻溝的深度,隨著遺忘,每一天這兩個地方似乎都更遠了些。<br />
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後來問問這位陸生,想知道這兩塊土地究竟分離的多遠。才知道,原來住靠海的,一樣姓黃,而再往裡面一些都是姓蔡,習慣也相似,但也許學生還太年輕,不黯風俗,套不出更多故土的風景,但光是居住分布的相似就足以讓人興奮不已,想起當年去福建小村莊考察時村民招待的家常,與祖母烹調的味道一轍,而教授說「這就是原鄉」。<br />
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也許,有朝一日我會踏上那裏看望,看看那平行的故土,究竟走到了哪裡?<br />
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<br />Twixthttp://www.blogger.com/profile/00125486091288723324noreply@blogger.com0tag:blogger.com,1999:blog-7783736194613721061.post-74865466390709929492015-05-18T19:15:00.001+08:002015-05-18T22:10:50.482+08:00[題目] CYUT103/Project 5.2-「公路.盒子.潘朵拉」<div>
<b><span style="font-size: x-large;">公路.盒子.潘朵拉</span></b><br />
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<b>情境空間之探索與建構</b></div>
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出題老師:蔡長恩</div>
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「潘朵拉的盒子」在潘朵拉的好奇心驅使下打開了盒蓋,釋放出各種七情六慾及災難,最後闔上卻留住了希望,而迷人的故事使其成為人類歷史上最常被提及的「容器」,一個收納各種「抽象情境」的容器。</div>
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<b><span lang="EN-US" style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-family: "Adobe 宋体 Std L"; mso-bidi-font-size: 12.0pt;">壹.<span style="font-family: 'Times New Roman'; font-size: 7pt; font-stretch: normal; font-weight: normal;"> </span></span></b><b><span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">潘朵拉<span lang="EN-US"> / </span>情境轉化<span lang="EN-US"><o:p></o:p></span></span></b></div>
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<span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10pt;">請同學從「<span lang="EN-US">Project 5-1</span>」影片中選擇兩種情境<span lang="EN-US">(</span>喜、怒、哀、樂<span lang="EN-US">…</span>等<span lang="EN-US">)</span>做為起點,轉化出概念、構造及空間模型</span><span style="font-family: "新細明體",serif; font-size: 10.0pt; mso-ascii-theme-font: minor-fareast; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-fareast;"> </span><span lang="EN-US" style="font-family: "Adobe 宋体 Std L",serif; font-size: 10pt;">(15cmX15cmX15cm)</span><span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10pt;">各三種<span lang="EN-US">(</span>共九種<span lang="EN-US">)</span>。<span lang="EN-US"><o:p></o:p></span></span></div>
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<b>操作進度</b><b><span lang="EN-US" style="font-family: "Adobe 宋体 Std L",serif; font-size: 10pt;"> :<o:p></o:p></span></b></div>
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<span lang="EN-US" style="font-family: "微軟正黑體",sans-serif; font-size: 10.0pt; mso-bidi-font-family: 微軟正黑體;">1.<span style="font-family: 'Times New Roman'; font-size: 7pt; font-stretch: normal;"> </span></span><span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10pt;">影片情境</span><span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt; mso-bidi-font-family: 微軟正黑體;">分析圖<span lang="EN-US">A1</span>一張:需包含主要情境之空間尺寸、行為分析及定義之空間機能</span><span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10pt;">。<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: "微軟正黑體",sans-serif; font-size: 10.0pt; mso-bidi-font-family: 微軟正黑體;">2.<span style="font-family: 'Times New Roman'; font-size: 7pt; font-stretch: normal;"> </span></span><span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10pt;">兩組轉化模型,一組包含概念、構造、空間共九種模型,比例自訂。<span lang="EN-US"><o:p></o:p></span></span></div>
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<b><span lang="EN-US" style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-family: "Adobe 宋体 Std L"; mso-bidi-font-size: 12.0pt;">貳.<span style="font-family: 'Times New Roman'; font-size: 7pt; font-stretch: normal; font-weight: normal;"> </span></span></b><b><span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">盒 子<span lang="EN-US"> / </span>空間建構<span lang="EN-US"><o:p></o:p></span></span></b></div>
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<span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10pt;">請定義出三種不同之空間機能<span lang="EN-US">(</span>如舞台、起居室、茶室<span lang="EN-US">…</span>等<span lang="EN-US">)</span>,並將第一階段之兩組情境轉化模型,選擇其中數種手法、材料,依空間機能配置於基地之中,並安排一合理之動線及空間情境,以連結出入口。<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10pt;">本次基地為長<span lang="EN-US">12M</span>寬<span lang="EN-US">5M</span>高<span lang="EN-US">5.4M</span>之口字型「盒子」,牆厚為<span lang="EN-US">20CM</span>,計設有入口及出口各一處,並有寬度<span lang="EN-US">1M</span>之樓梯通往其他樓層,而樓梯之扶手與樓梯形式之設計尚未完成。樓梯側為正東向</span><span style="font-family: "新細明體",serif; font-size: 10.0pt; mso-ascii-theme-font: minor-fareast; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-fareast;">,</span><span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10pt;">除長向側為開口,短向側、地板及天花板為鄰接它戶之實牆故不得開口。若有空間之需求,可向外拓展空間,但拓展部分以不超過原基地面積的<span lang="EN-US">1/2</span>為原則。</span><span lang="EN-US" style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt; mso-fareast-font-family: 新細明體; mso-fareast-theme-font: minor-fareast;"><o:p></o:p></span></div>
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<b>操作進度</b><b><span lang="EN-US" style="font-family: "Adobe 宋体 Std L",serif; font-size: 10pt;"> :<o:p></o:p></span></b></div>
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<span lang="EN-US" style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt; mso-bidi-font-family: "Adobe 宋体 Std L";">1.<span style="font-family: 'Times New Roman'; font-size: 7pt; font-stretch: normal;"> </span></span><span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10pt;">設計</span><span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt; mso-bidi-font-family: 微軟正黑體;">分析圖<span lang="EN-US">A1</span>一張:概念分析</span><span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10pt;">、設計分析等圖面。<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt; mso-bidi-font-family: "Adobe 宋体 Std L";">2.<span style="font-family: 'Times New Roman'; font-size: 7pt; font-stretch: normal;"> </span></span><span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10pt;">各層平面圖、兩向立面圖、剖面圖<span lang="EN-US">(</span>一長向、三短向<span lang="EN-US">)</span>及室內透視圖,比例<span lang="EN-US">1/30</span>。<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt; mso-bidi-font-family: "Adobe 宋体 Std L";">3.<span style="font-family: 'Times New Roman'; font-size: 7pt; font-stretch: normal;"> </span></span><span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10pt;">每周需至少兩方案之操作模型,比例<span lang="EN-US">1/30</span>。<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: 華康仿宋體W4; font-size: 10.0pt; mso-ascii-font-family: Arial; mso-hansi-font-family: Arial;">基地平面圖</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2P5HQactLKPbIuBEU7HUmHk_KPmXgGH7SeluOldDRvQrnCN45-JCD01OiNUaVMxsyzWuoeI9GbGX4GIZy20YhzyncXDSdOZWa8MW6WKCWu9ti6eI5qbvsjuU0eUo-S1skiIMfL_9RAIw/s1600/002.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="178" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2P5HQactLKPbIuBEU7HUmHk_KPmXgGH7SeluOldDRvQrnCN45-JCD01OiNUaVMxsyzWuoeI9GbGX4GIZy20YhzyncXDSdOZWa8MW6WKCWu9ti6eI5qbvsjuU0eUo-S1skiIMfL_9RAIw/s1600/002.jpg" width="320" /></a></div>
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<span style="font-family: 華康仿宋體W4; font-size: 10.0pt; mso-ascii-font-family: Arial; mso-hansi-font-family: Arial;">基地立面圖</span><span style="font-family: "Arial",sans-serif; font-size: 10.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 華康仿宋體W4;"> <span lang="EN-US">1/100<o:p></o:p></span></span></div>
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<b>參</b><b><span lang="EN-US" style="font-family: "Arial",sans-serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: 華康仿宋體W4;">. </span></b><b><span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">公 路 <span lang="EN-US">/ </span>正評<span lang="EN-US"> (05/11)<o:p></o:p></span></span></b></div>
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<span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10pt;">本階段借引柯比意在<span lang="EN-US">1930</span>年於阿爾及爾進行的<span lang="EN-US">Obus</span>計畫<span lang="EN-US">(Plan Obus Algiers)</span>,以其公路下的集合住宅模式作為本次設計的展覽方法,嘗試以此方式展示、閱讀本屆同學的「情境景觀」。<span lang="EN-US"><o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8YOP4cUVyi3EXoZ9HWihc7vfn0hV7stlHzDkOPQA29VcKLGVQJYVpnNPbZNUCdQ1DQaezj2K9GhUhX_75tIjMgdB6HrosTpwWHcxE5C3nA89HC6K0397E7_yoYp7rgNtjINxk5ZAtTiY/s1600/edff37cd57b69fda054734f64d61df7f.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="138" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8YOP4cUVyi3EXoZ9HWihc7vfn0hV7stlHzDkOPQA29VcKLGVQJYVpnNPbZNUCdQ1DQaezj2K9GhUhX_75tIjMgdB6HrosTpwWHcxE5C3nA89HC6K0397E7_yoYp7rgNtjINxk5ZAtTiY/s1600/edff37cd57b69fda054734f64d61df7f.jpg" width="400" /></a></div>
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<b>正圖要求</b><b><span lang="EN-US" style="font-family: "Adobe 宋体 Std L",serif; font-size: 10pt;"> :</span></b></div>
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<b><span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10pt;">圖說<span lang="EN-US"><o:p></o:p></span></span></b></div>
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<span lang="EN-US" style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt; mso-bidi-font-family: "Adobe 宋体 Std L";">1.<span style="font-family: 'Times New Roman'; font-size: 7pt; font-stretch: normal;"> </span></span><span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10pt;">影片情境</span><span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt; mso-bidi-font-family: 微軟正黑體;">分析圖<span lang="EN-US">A1</span>一張:需包含主要情境之空間尺寸、行為分析及定義之空間機能</span><span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10pt;">。<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt; mso-bidi-font-family: "Adobe 宋体 Std L";">2.<span style="font-family: 'Times New Roman'; font-size: 7pt; font-stretch: normal;"> </span></span><span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10pt;">設計</span><span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt; mso-bidi-font-family: 微軟正黑體;">分析圖<span lang="EN-US">A1</span>一張:概念分析</span><span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10pt;">、設計分析等圖面。<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt; mso-bidi-font-family: "Adobe 宋体 Std L";">3.<span style="font-family: 'Times New Roman'; font-size: 7pt; font-stretch: normal;"> </span></span><span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10pt;">各層平面圖、兩向立面圖、剖面圖<span lang="EN-US">(</span>一長向、三短向<span lang="EN-US">)</span>及室內透視圖,比例<span lang="EN-US">1/30</span>。<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt; mso-bidi-font-family: "Adobe 宋体 Std L";">4.<span style="font-family: 'Times New Roman'; font-size: 7pt; font-stretch: normal;"> </span></span><span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10pt;">平面圖需標高程、繪製家具,立面需繪製陰影等表現法,剖面圖需繪製人物。<span lang="EN-US"><o:p></o:p></span></span></div>
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<b><span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt; mso-bidi-font-family: 微軟正黑體;">模型<span lang="EN-US"><o:p></o:p></span></span></b></div>
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<span lang="EN-US" style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt; mso-bidi-font-family: "Adobe 宋体 Std L";">1.<span style="font-family: 'Times New Roman'; font-size: 7pt; font-stretch: normal;"> </span></span><span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10pt;">兩組轉化模型,一組含概念、構造、空間共九種模型,比例自訂。<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt; mso-bidi-font-family: "Adobe 宋体 Std L";">2.<span style="font-family: 'Times New Roman'; font-size: 7pt; font-stretch: normal;"> </span></span><span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10pt;">正模,比例<span lang="EN-US">1/30</span>。<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt; mso-bidi-font-family: "Adobe 宋体 Std L";">3.<span style="font-family: 'Times New Roman'; font-size: 7pt; font-stretch: normal;"> </span></span><span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10pt;">基地之結構統一採灰紙板製作,需牢固、可堆疊。<span lang="EN-US"><o:p></o:p></span></span></div>
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Twixthttp://www.blogger.com/profile/00125486091288723324noreply@blogger.com0tag:blogger.com,1999:blog-7783736194613721061.post-74257368902420786272015-04-07T17:45:00.001+08:002015-04-15T13:27:40.264+08:00[002] 建築師開業,要準備什麼?考上建築師之後,開始四處張羅開業所需要的文件與資料,在此也以台中市開業為例,與想要加入的同業分享。<br />
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一、申請考試及格證書<br />
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二、事情準備工作<br />
1.事務所大小章 2.個人照片(2吋至少30張)<br />
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三、於營建署申請建築師證照<br />
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四、服務證明公證<br />
須於相關工作滿兩年後申請投保資料,並委由法院或是民間公證人公證<br />
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五、於建管單位申請開業<br />
所需文件會在申請書上詳列,須注意營業地點若為承租則需要檢附「租約正本」存查。<br />
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六、領到開業證書後,於稅捐機關申請統一編號<br />
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七、取得統一編號後,申請加入公會<br />
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八、於會員大會通過取得會員資格,即可掛件<br />
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<b>蔡 長 恩 建 築 師 事 務 所</b></div>
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<span style="font-size: x-small;">C.N.Tsai. & Partners</span></div>
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<span style="font-size: x-small;"><br /></span></div>
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<span style="font-size: x-small;">台中市西屯區市政北一路</span></div>
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<span style="font-size: x-small;">TEL (886-4) 2254-7373 #34 FAX (886-4) 2255-1900</span></div>
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Twixthttp://www.blogger.com/profile/00125486091288723324noreply@blogger.com0tag:blogger.com,1999:blog-7783736194613721061.post-16284133716866325472015-04-01T14:50:00.001+08:002015-04-15T13:27:43.576+08:00[001] 蔡長恩建築師事務所,成立!花了幾天功夫,來來回回的,終於把所有開業的程序跑完,也在台中市這個「新家」完成公會的登記,在此,深深感謝在劉柯成老師事務所兩年的栽培與經驗,而得以在二十九歲的今天於建築這條路上再次出發,做個愚人,做個建築路上前行的愚人。<br />
<br />
104年4月1日,很高興為您服務。<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0XbIvAm_2UlCt4cZ_YVqdr2G8_tm4AeUWuZZlCad7UtjH7yT7sv8O7xhq2ATIpO0QZrjCu5JaMmb-ecGks3jYKFZTYltWdoRkyxsrxqL2hsgmpzEyXYLmxs-ymR_tLcG9Foa3GphK5Pw/s1600/S36BW-415033113261.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0XbIvAm_2UlCt4cZ_YVqdr2G8_tm4AeUWuZZlCad7UtjH7yT7sv8O7xhq2ATIpO0QZrjCu5JaMmb-ecGks3jYKFZTYltWdoRkyxsrxqL2hsgmpzEyXYLmxs-ymR_tLcG9Foa3GphK5Pw/s1600/S36BW-415033113261.jpg" height="320" width="226" /></a></div>
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<b>蔡 長 恩 建 築 師 事 務 所</b></div>
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<span style="font-size: x-small;">C.N.Tsai. & Partners</span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: x-small;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: x-small;">台中市西屯區市政北一路</span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: x-small;">TEL (886-4) 2254-7373 #34 FAX (886-4) 2255-1900</span></div>
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Twixthttp://www.blogger.com/profile/00125486091288723324noreply@blogger.com0tag:blogger.com,1999:blog-7783736194613721061.post-76642898977074550732015-02-25T23:55:00.003+08:002015-02-25T23:56:13.549+08:00[題目]DYU103/Project 1-「川」合院<div class="MsoNormal">
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<span style="font-family: Adobe 宋体 Std L, serif; font-size: xx-small;">大葉大學空間設計系103學年度第二學期 進修部四年級設計題目</span></div>
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<span style="font-family: Adobe 宋体 Std L, serif; font-size: xx-small;">出題老師: 蔡長恩</span></div>
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<b><b><span style="font-family: "Adobe 宋体 Std L",serif; font-size: 26.0pt;">「川」合院<span lang="EN-US"> </span></span></b><b><span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">都市「同堂生活」空間</span></b><b><span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-family: 微軟正黑體; mso-bidi-font-size: 12.0pt;">探討</span></b></b></div>
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<span style="font-family: 'Adobe 宋体 Std L', serif; line-height: 20pt;"> </span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEh3osBG0TIveny_f_lMNrh-G-PZzkOJBZaEO9p4D6FlLqaf6RQ3gpYneIrG5VdsrRYGG_p-H5DCfIfPU69GzGVkjVIRoPeWRADh1PmOdbcSDhQZk96wZWZ9DlEXqV-Iz87hieMT5lQks/s1600/1.jpg.png" imageanchor="1" style="font-family: 'Adobe 宋体 Std L', serif; line-height: 20pt; margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEh3osBG0TIveny_f_lMNrh-G-PZzkOJBZaEO9p4D6FlLqaf6RQ3gpYneIrG5VdsrRYGG_p-H5DCfIfPU69GzGVkjVIRoPeWRADh1PmOdbcSDhQZk96wZWZ9DlEXqV-Iz87hieMT5lQks/s1600/1.jpg.png" height="181" width="400" /></a></div>
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<span style="font-family: 'Adobe 宋体 Std L', serif; line-height: 20pt;">居住,是人類最原始的需求,而中華文明更以「家」為本,發展出獨具特色的「合院」建築,從客廳的門屋,到左、右廂房及隨人丁向外拓展的護龍,反映以「家族同堂」為核心的空間脈絡,並拓展到各種不同的傳統建築類型當中,諸如寺廟、宮殿、庭園、官署等,進一步的,合院建築亦隨著地理的變化而制宜,如在黃土高原的窯洞、廣東的碉樓、閩南的土樓到近代廈門鼓浪嶼或台灣老街市的洋樓,都是合院建築在不同材料及型式的衍變表現,據此,「合院」無疑的在中華建築中扮演著極為重要的角色,並隨著時代與技術的變化持續扮演著「家族」的庇護所。</span></div>
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<span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">另一方面,在近代城市的快速發展之下,當代住宅已拋棄過去的傳統形式,競相的向上增築以容納更多人口,然而,許多世代居住於都市的「家族」仍固守著自己的土地,其往往不大的土地,在高密度發展的城市天際線中形成高低錯落的特殊景象,在這樣的背景下,本次題目企圖思考「合院建築」應當如何融入當代都市之中,嘗試找尋新的「居住模式」重新審視都市「同堂生活」的可能性。<span lang="EN-US"><o:p></o:p></span></span></div>
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<b><span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">壹、業主概述<span lang="EN-US"><o:p></o:p></span></span></b></div>
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<span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">本案業主為世代居住於台北之家族,目前居於日治時期興建之磚造二層平房,屋齡老舊且空間、機能不敷使用,因父母親年歲已高,且兒女有自行創業之意願,故委託規劃一新方案,以期能夠於原處重建一符合需求之新建築。<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">以下為業主需求。<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">同堂生活<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt;">祖<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt;">子<span lang="EN-US"><o:p></o:p></span></span></div>
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<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 2.25pt; border-top: none; mso-border-bottom-alt: .5pt; mso-border-color-alt: windowtext; mso-border-left-alt: .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-right-alt: 2.25pt; mso-border-style-alt: solid; mso-border-top-alt: 2.25pt; mso-border-top-alt: solid windowtext 2.25pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 137.7pt;" valign="top" width="230"><div align="center" class="MsoNormal" style="line-height: 20.0pt; mso-line-height-rule: exactly; text-align: center;">
<span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt;">孫<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt;">王老先生/78歲<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt;">王先生(男主人)/54歲<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt;">大兒子/28歲<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt;">王老太太/77歲<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt;">王太太(女主人)/52歲<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt;">大女兒/27歲<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">空間需求<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt;">餐廳、廚房、客廳、浴廁<span lang="EN-US">…</span>等生活空間<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt;">居住空間<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt;">無障礙空間<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt;">居住空間<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt;">個人工作室/SOHO族<span lang="EN-US"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt;">(</span><span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt;">花藝、拼布、鋼琴老師<span lang="EN-US">…</span>等<span lang="EN-US">)<o:p></o:p></span></span></div>
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<span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt;">居住空間<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: "Adobe 宋体 Std L",serif; font-size: 10.0pt;">店面/商業空間<span lang="EN-US"><o:p></o:p></span></span></div>
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<b><span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">貳、基地概述 <span lang="EN-US">:<o:p></o:p></span></span></b></div>
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</w:wrap></v:imagedata></v:shape><span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">本案基地位於台北市萬華區,鄰近康定路及和平西路口,為自清領時期即開發的老舊社區,目前後方為日治時期之歷史建築,前面臨六米巷道,對側則為市定古蹟新富市場,南北向各有三層鋼筋混凝土造建築。<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">而此處鄰近市場及捷運站出口,對側新富市場將進行文創產業<span lang="EN-US">(</span>請參考<span lang="EN-US">URS 21)</span>相關之發展。<span lang="EN-US"><o:p></o:p></span></span></div>
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</w:wrap></v:imagedata></v:shape><span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">基地寬度約十六公尺、深度約為九點五公尺,<span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">土地分區為商業區,後院需退縮三米,目前預計興建地上四層、地下壹層之建築,而目前經初步規劃,有獨棟式<span lang="EN-US">(Type A )</span>及連棟式<span lang="EN-US">(Type B) </span>兩種建築形式可供選擇。<span lang="EN-US"><o:p></o:p></span></span></div>
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<b style="line-height: 20pt;"><span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">參、操作說明<span lang="EN-US"> :</span></span></b><br />
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<b><span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-family: 微軟正黑體; mso-bidi-font-size: 12.0pt;">階段一 <span lang="EN-US">/ </span>探 索 <span lang="EN-US">( 03 / 04 – 03 / 11 )<o:p></o:p></span></span></b></div>
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<span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">建築是生活的「容器」,與生活緊緊相依存。透過了解使用者生活的模式作為建築設計發展的骨幹,而建築則像是外衣反映出體態般的提出對生活的見解,這不僅僅是機能上的,更應同時具備精神意義上的實現。<span lang="EN-US"><o:p></o:p></span></span></div>
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</w:wrap></v:imagedata></v:shape><span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">請同學針對「同堂生活」,擬定出「生活劇本」,設想業主三代之職業及日常起居生活,劇本形式不拘,</span><span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-family: 微軟正黑體; mso-bidi-font-size: 12.0pt;">需包含角色分析、生活劇本及具體空間需求</span><span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">。<span lang="EN-US"><o:p></o:p></span></span></div>
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<b><span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-family: 微軟正黑體; mso-bidi-font-size: 12.0pt;">階段二 <span lang="EN-US">/ </span>研 擬 <span lang="EN-US">( 03 / 18 – 04 / 08 )<o:p></o:p></span></span></b></div>
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</w:wrap></v:imagedata></v:shape><span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">承序言,建築會隨著地理環境的不同而衍化,請同學探討本基地周邊的條件,並根據階段一「生活劇本」中所擬定之生活方式及空間需求,從獨棟式<span lang="EN-US">(Type A )</span>及連棟式<span lang="EN-US">(Type B)</span>兩種建築形式中擇一進行設計發展。<span lang="EN-US"><o:p></o:p></span></span></div>
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<b><span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">期中評圖需求:<span lang="EN-US"><o:p></o:p></span></span></b></div>
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<!--[if !supportLists]--><span lang="EN-US" style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-family: "Adobe 宋体 Std L"; mso-bidi-font-size: 12.0pt;">1.<span style="font-family: 'Times New Roman'; font-size: 7pt; font-stretch: normal; line-height: normal;">
</span></span><!--[endif]--><span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">「同堂生活」劇本 <span lang="EN-US">(</span>形式不拘<span lang="EN-US">)<o:p></o:p></span></span></div>
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<!--[if !supportLists]--><span lang="EN-US" style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-family: "Adobe 宋体 Std L"; mso-bidi-font-size: 12.0pt;">2.<span style="font-family: 'Times New Roman'; font-size: 7pt; font-stretch: normal; line-height: normal;">
</span></span><!--[endif]--><span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">基地分析<span lang="EN-US"> (</span>人文景觀、交通、氣候、未來可能活動等<span lang="EN-US">…)<o:p></o:p></span></span></div>
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<!--[if !supportLists]--><span lang="EN-US" style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-family: "Adobe 宋体 Std L"; mso-bidi-font-size: 12.0pt;">3.<span style="font-family: 'Times New Roman'; font-size: 7pt; font-stretch: normal; line-height: normal;">
</span></span><!--[endif]--><span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">各層平面圖<span lang="EN-US">(1/30)</span>及其他初步規劃圖說。<span lang="EN-US"><o:p></o:p></span></span></div>
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<b><span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-family: 微軟正黑體; mso-bidi-font-size: 12.0pt;">階段三 <span lang="EN-US">/ </span>擘 劃 <span lang="EN-US">( 04 / 22 – 06 / 10 )<o:p></o:p></span></span></b></div>
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<span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">「一道牆沒有窗可以是一道牆,但是,一個房屋沒有窗就不是一個房屋,只是一個密閉的盒子。」因此,空間的生命取決於設計者的意識,而設計者的意識則來自於對使用者善意的理解。在過去,傳統「合院」以「家族」庇護所的姿態衍變出各種不同的建築形式,在兩千餘年的歷史中包容了各種不同的生活類型。據此,請同學依據階段二的選擇,設想今日的「居住模式」並進行空間與造型的細部規劃,以現代空間的觀點,規畫一符合當代「同堂生活」的空間設計。<span lang="EN-US"><o:p></o:p></span></span></div>
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<b><span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">期末評圖需求:<span lang="EN-US"><o:p></o:p></span></span></b></div>
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<!--[if !supportLists]--><span lang="EN-US" style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-family: "Adobe 宋体 Std L"; mso-bidi-font-size: 12.0pt;">1.<span style="font-family: 'Times New Roman'; font-size: 7pt; font-stretch: normal; line-height: normal;">
</span></span><!--[endif]--><span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">「同堂生活」劇本<span lang="EN-US"> (</span>形式不拘<span lang="EN-US">)<o:p></o:p></span></span></div>
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<!--[if !supportLists]--><span lang="EN-US" style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-family: "Adobe 宋体 Std L"; mso-bidi-font-size: 12.0pt;">2.<span style="font-family: 'Times New Roman'; font-size: 7pt; font-stretch: normal; line-height: normal;">
</span></span><!--[endif]--><span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">基地分析<span lang="EN-US"> (</span>人文景觀、交通、氣候、未來可能活動等<span lang="EN-US">…)<o:p></o:p></span></span></div>
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<!--[if !supportLists]--><span lang="EN-US" style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-family: "Adobe 宋体 Std L"; mso-bidi-font-size: 12.0pt;">3.<span style="font-family: 'Times New Roman'; font-size: 7pt; font-stretch: normal; line-height: normal;">
</span></span><!--[endif]--><span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">「同堂生活」概念分析<span lang="EN-US"> (</span>形式不拘<span lang="EN-US">)<o:p></o:p></span></span></div>
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<!--[if !supportLists]--><span lang="EN-US" style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-family: "Adobe 宋体 Std L"; mso-bidi-font-size: 12.0pt;">4.<span style="font-family: 'Times New Roman'; font-size: 7pt; font-stretch: normal; line-height: normal;">
</span></span><!--[endif]--><span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">配置圖、各層平面、立面、剖面圖<span lang="EN-US">(1/30)<o:p></o:p></span></span></div>
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<!--[if !supportLists]--><span lang="EN-US" style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-family: "Adobe 宋体 Std L"; mso-bidi-font-size: 12.0pt;">5.<span style="font-family: 'Times New Roman'; font-size: 7pt; font-stretch: normal; line-height: normal;">
</span></span><!--[endif]--><span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">室內、室外透視圖<span lang="EN-US">(</span>各<span lang="EN-US">3</span>張<span lang="EN-US">)<o:p></o:p></span></span></div>
<div class="MsoListParagraph" style="line-height: 20.0pt; margin-left: 18.0pt; mso-line-height-rule: exactly; mso-list: l0 level1 lfo2; mso-para-margin-left: 0gd; text-indent: -18.0pt;">
<!--[if !supportLists]--><span lang="EN-US" style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-family: "Adobe 宋体 Std L"; mso-bidi-font-size: 12.0pt;">6.<span style="font-family: 'Times New Roman'; font-size: 7pt; font-stretch: normal; line-height: normal;">
</span></span><!--[endif]--><span style="font-family: "Adobe 宋体 Std L",serif; mso-bidi-font-size: 12.0pt;">模型<span lang="EN-US">(1/30</span>,需含材質<span lang="EN-US">)</span></span></div>
Twixthttp://www.blogger.com/profile/00125486091288723324noreply@blogger.com0tag:blogger.com,1999:blog-7783736194613721061.post-49853504915869672772015-01-16T12:52:00.001+08:002015-01-16T12:52:42.658+08:00[教記 15]- 夢想「家」常聽到抱怨東西買貴了,而卻沒見使用的,是學位。<br />
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歲末年終,假期特別多,購物的折扣也多,而學生進度的折扣也不遑多讓了起來。不知幸否,平時不夠用的教學時間倒也餘裕了些,看著乾笑的學生們,卻也不願花費脾性,反一股興致的想知道這些「學子」們的夢想到底是什麼呢?<br />
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這年不過半載,卻已經帶過四十五位學生,人多勢眾,夢想卻不如想像中的多樣,印象所及,約有半數同聲異口的想要為自己設計一個「家」,然後是喜歡做設計或不喜歡「功課」的學生,還有些迷了途的羔羊,最後才是想成為建築師,一掌手,即可細數。若對照或臥或睡的上課景象,這倒是令人欣慰,畢竟當建築師的責任重大,失之毫釐差之千里,必須承擔使用者的生活,不容差池,而設計自己的家只需要為自己負責,自己的業,自己擔。<br />
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雖然總說出社會可以學得更多,但是那是要付學費的,沒錢?沒關係,從薪水裡邊扣。<br />
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Twixthttp://www.blogger.com/profile/00125486091288723324noreply@blogger.com0tag:blogger.com,1999:blog-7783736194613721061.post-37395083954854674162014-10-25T23:49:00.002+08:002014-10-25T23:49:21.211+08:00「建築」青年高中藝術大樓03 - 放樣在建築這條路上,如何看著平面圖想像空間是必備的技能,而一個「好看」的平面,往往是用以判斷設計成熟與否的表徵,但是無論如何仔細推想,總有一些出乎意料的地方,比方實際建築與鄰房之間的關係,或者因為樓層高度形成過寬或過狹的空間感,都會在放樣之後原形畢露。<br />
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因此,每次從圖面到興建的過程都是空間經驗的校正,而這一回,鄰近的建築比想像中近了些,還好!原先已預留的景觀部分可以用來調整。<br />
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